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Russian Contemporary Women Writers of the body described in (1)
【Summary】 This paper examines the novels of contemporary Russian women described in the body in three ways: First, the record of the trauma suffered by the female body,[link widoczny dla zalogowanych], style of writing has a natural body; II, unassuming woman Desire and passion, the body is equivalent to female sexual instinct and desire the writing strategies; Third, the body as a symbol and implied into the text of the writing strategies. In every way to establish female subjectivity, highlighting aspects of women self-made its own attempt to reflect women's psychological reality. Key words Russian Literature / Literature of Russian Women / body described in the paper for Union finishing. body theory is the feminist criticism has been the most important part of many feminist critics of this content will be discussed as their central theme. Complicated physical theories, although they are within this framework in the generation of feminism, and female subjectivity are established to mean return, but full of its internal disputes and conflicts. To de Beauvoir, Millett, Showalter as the representative of feminist critics of strategies to help the body of the patriarchal system imposed on women by the political, power and sexuality and other aspects of physiological phenomenon is a step backwards; and other literary theorists, such as Queen Calais, Kauffman, Cixous, etc. are contained in the female body praised the creative resources of the West of the clear that the impulse and the unconscious woman to physically link the women must write its own, with the (Cixous :580-606) At the same time, some commentators argued that ignoring the negative view of writing as well as social and cultural forces shaping the symbolic system, calling for women of culture, and body-related associations that will encourage men to its misappropriation of. (Wolff: 122) theory in the context of this study of contemporary Russian women writers in the physical description, there may be some very interesting findings. Russia in the 20th century began in the late 80's acceptance of Western feminist literary theory, and this period in Russia, precisely in the political, cultural and social upheaval on the eve of life. Alternating operation of various factors, especially the free and open creative policies, making the creation of women writers had some kind of quantitative, women work in large numbers, its size and success over the history of Russian literature of any time; and with this accompanied, as well as creative content on the occurrence of the The contents of previous literature taboo or strong. Some commentators believe that the name. (Ivanova: 29) and for women writers, their writing is a good source of creativity, its content and methods change with the times, while the narrative of the controversy associated with the body, it seems, and theoretical fields generated around the Body Aesthetics Voiced by the same, but also from endless, and this allows us to hear from different voices, from the dialogue and debate to explore more about the physical meaning of narrative. Female Literature in Contemporary Russia Looking booming more than twenty years of history, women writers writing on the body or the body attitude and strategy differences in the way narrative is based, we can roughly be Russian Literature in Contemporary Women Body narrative text into three categories: First is the Siwa Xi Lian-ke, Ye Wa Ta Lasuo represented by such writers, record the trauma suffered by the female body, has a natural style of the narrative body; followed publicity female desire and passion, the body is equivalent to female sexual instinct and desire the writing strategy,[link widoczny dla zalogowanych], 瓦纳尔比科娃, Liu Uli Ci Kaya works most typically contain this body politics; the last is Liu 彼得鲁舍夫 Sika Ya Ya and the tower, represented by Leo Tolstoy, the body as a symbol and implied into the text of the writing strategies. Narrative of women writers through the body, in its own way explicitly or implicitly and cultural traditions, rather, cultural traditions clash with the men, and dialogue, they tried to express themselves through literary texts, to establish women's consciousness. Leaves a baby Tala Suo, Siwa Xi Lian-ke, Jungo Ireland Nova was the first such women experience physical and physiological phenomenon to be concerned about contemporary Russian writers of the last century 80 the end of their passion with an almost fanatical will of those female-specific physiological experience, particularly pregnancy, childbirth, abortion and so on written literature, had just given the rise of Russian female literature in a unique . Of course, the female reproductive unique experience to write literature, this phenomenon is not the only contemporary Russian literature, in the works of male writers also have this content. However, women writers, these works (Ажгихина: 2001) at the Na Suha Nova's short story But she is still in the novels of these phenomena were truly the characterization: the mother feel the pain due to contractions, twitching face, trembling hands and feet, pale baby face and body and so on. Gynecologist from a novel perspective on women's fertility and abortion and so a detailed description. In 奥塔塔里诺 baby's short story character of pain and bleeding on the stream of consciousness And this constitutes a striking coincidence, it is Vassylenko short story from the The same description of the contents of the works of abortion, there Geer Lan Nova's short story Women writers for women only experience of the contemplation of this broke all the taboos, the former in the literature or omitted to be avoided for many women the physical details of the important literary works. They publicize their experience of physical pain, the bloody female body exposed on the outside, this is similar to cruel, masochistic tendencies are negative writing, tells not only the physical suffering of women, it is caught within the women, depression and even is a crazy state of mind. In Vassylenko of and frustrated love is the direct cause of the pain caused by the body, but the deeper reason is that women in this world of loneliness, marginalization and permanent state of no concern, and this is often easily be turned into a mental crazy. Baby in the leaf Tala Suo Ugly heroine only the As female baby care critic Mae Ba said, ugly and mad at the writer's pen was a and mutual hatred. (Абащева: 10) female body leads to the psychological experience and the resulting pain, all of which can be regarded as a trademark of feminine literature, literary theory from the feminist point of view, angels and monsters, and the sweet heroine angry madwoman, all women writers of expression, is one of the strategies of writing their rebellion. Female writers, through their own heroine and the culture of male loud accusations, What is torture me? Love the dramatic effect of physical pain slowly disappeared, and Writers are not in a roundabout way to express their complaints, they do not imitate men, or men in the eyes of female writing, but writing directly to the female point of view of women, or rewrite the women, therefore, they are often described by heroine Ironically, both the rich meaning, but also a more radical positions, they go through self-denial denial male definition for women, while they also equivalent to the female body and the aesthetic beauty sexy conducted a thorough deconstruction of the myth and subversion . Two women in the 20th century writers, especially women in the Soviet-era literature, sex is an almost no one involved in the problem area, it and the women in the work and life sometimes appear negative emotions, is not a description of the object of literary works. A lot about love, marriage and family life, work, have become British and American scholars to explain this phenomenon as (Kelly: 361) from the 20th century, late 80s early 90s, women in contemporary Russian literature, especially in literary works the theme of love, man's basic desire is being recognized and sexual content in an unprecedented potential and power to enter into the creation of many women writers, the formation of the body in an important aspect of narrative. Liu Uli Ci Kaya, 瓦纳尔比科娃 attention to women writers such as desire and instinct,[link widoczny dla zalogowanych], the female sex as an integral part of life included in the text. In contemporary Russia, 瓦纳尔比科娃 involved in the creation of the first women writers of the sexual content, some said she was people. (Ажгихина, 1988: 223) 1988, she was in Russia critics in Russia caused a entirely different perspective to the party represented by writers 安德烈比托夫 that this work ) and to critics 德米特里乌 Ernuo Fu represented the other side is that the lack of philosophical depth of his work, is a (Урнов: 4) However, the critics seemed to have reached some consensus,[link widoczny dla zalogowanych], that is, 纳尔比科娃 of this work has a striking effect and the sex and physiological interest can not be met.纳尔比科娃 novel to traditional Russian literature, especially works of Soviet literature was avoided sex scenes, and your humble before the contents of those hard, have to write the novel, which is full of cues and symbols of described in Russia does have a sensational effect. In her writings, physical and sexual characters are naked, but by a thin layer of text and intertextuality of the subtle rhetorical devices is covered, for example, in the , the authors used Lermontov male genitalia. There are many sex scenes in the novel's description, the authors highlight the beauty of sex: the combination of the two people, when is the 纳尔比科娃 is not shy about showing the female sex, she used a variety of language games to the text to convey the illusion of sex: that point, it is fiery and hot,[link widoczny dla zalogowanych], no words to describe it. , because another year, another day begins. However, writing of sex and body is not the only purpose, she stressed that the significance of body and soul with love: When Sana kiss 阿特马特菲 security when Sana and 阿特马特菲 security into part of the sky, in this place, was the destruction of the earth body, that body beautiful and terrible, have a better quality than just the sky but also good ... ... but have not been will become double good. If, 纳尔比科娃 is in a mildly, with suggestive language in the description of sex, then Liu Uli Ci Kaya's pen, the contents were more frank and open manner show out. She 纳尔比科娃, same as advocating the combination of body and soul love, in the novel view: The combination of the two bodies is innocent, noble and happy. The kind of physical love is Novel, Especially the direct description of her as sex female body in the narrative, while Tanya and Sergei was full of love with warmth: no less. exist between sexual attraction and sexual desire in women themselves; Tokamak Liewa novella subtle and beautiful descriptions of sex. Some scholars believe that these works are more or less area there is some sentimental style, and writers who focus on the physical life, because (Лейдерман: 86) In fact, it works for the purposes of female writers does not necessarily, for them, the desire and the body means that the continuation of the life force, self-awareness of the reversion, it is irreplaceable in this true, is a woman There's a flag. In a rational world full of fantasy, the feelings generated around the body is the only true, it highlights the female body on their own initiative and subjectivity, as well as in life, the desire to find harmony. In this sense, the writer describes the body but also with the Western feminist literary critic who happens to coincide with the theory put forward by the body.
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