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air max tn viii Great Album The Shepherd's Dog by

 
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However, perhaps the most important carry over from previous works is Beam’s use of deep confounded imagery, which seems to always center on biblical allusions and post 9-11 anxiety. In the song, “Carousel”, Beam criticizes the leisure lifestyle American’s have against the war, and how they tolerate it through religious faith alone. At one point he goes, “By the pool they would protest, with a cross around their necks, while their sons are over seas.”
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Another song, “Innocent Bones”, chronicles the life of the biblical Cain and Abel and the relationship between greed and virtue. “Cain got a milk-eyed mule from the auction, Abel got a telephone, and even the last of the blue eyed-babies know.” Beam’s underlying message is quite simple: the only true vice of men is their inability to learn from the past.
Propelled by Sam Beam’s imaginative lyrics and daring ambition, The Shepherd’s Dog is an experimental album not settling to be fenced in. While snapshots of Beam’s earlier works are apparent, for the most part the album sparks a new vibrant collection of rich, suggestive flare. As a result, the album is a much deeper endeavor than people might imagine, taking more than one listen to fully untangle. Beam is the shepherd of his own craft, a craft that has the freedom to explore not only greener pastures [link widoczny dla zalogowanych], but also wider, more colorful horizons.
Prior to the release of Iron and Wine’s album The Shepherd’s Dog, singer-songwriter Sam Beam was best known for his melodic sentiments, and hushed-lullaby vocals. Songs would resemble lo-fi demo recordings, almost as if his voice was too small a vessel for the grand ideas that motivated him. The Shepherd's Dog, however, is notably distinct, relying heavily on upbeat vocals, and layered arrangements, all of which further accentuate the maturity of his craft.
Like any strong writer, Beam’s new approach does not hinder the Iron and Wine feel. He continues to examine the subtleties of day-to-day life, cataloguing stories with melancholic roadmaps, often reminiscent of campfire sing-alongs. The song “Peace Beneath the City” should engage listeners with its rhythmic finger plucking and its hardened need for escapism evident by the lyrics, “Give me a yellow brick road, and a Japanese car, and benevolent change.”
The Shepherd's Dog Review
The album is best known for its first single, “A Boy with a Coin”, which sounds like a Spanish tango number mixed with clattering handclaps and heavy foot stomps. But, Beam's new sound doesn't stop there, as pianos tap dance across the keys in songs like “The Devil Never Sleeps”, while the ballroom ballad “Resurrection Fern” harmoniously wavers between Beam’s lower hums and louder wails. In fact, throughout the album Beam teases with the sound quality of his voice, often seething from a distance before erupting with deeper [link widoczny dla zalogowanych], more personal falsettos. There is even a noticeable tremble [link widoczny dla zalogowanych], as if his voice is so deeply entrenched in emotion that he almost forgets to breathe.


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